The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 266
he brighter lights, for all must be in proportion : we work with pig-ments, and on paper, dull in comparison to the brilliancy of light. Innature, an opportunity occurs of ascertaining the degree of tone or strengthof colour there may be on mountains by noticing them when their summitsare covered… … [HE acquisition of the power of sketchingfrom nature, i.e. of producing correctand vigorous representations of naturalscenes, is one of the great objects towhich the students attention is directed. Perfectionin such representations is unattainable ; for, even sup-posing all others satisfied, the…
Landscape painting · Watercolor painting
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