The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 300
the brighter lights, for all must be in proportion: we work with pig-ments, and on paper, dull in comparison to the brilliancy of light. Innature, an opportunity occurs of ascertaining the degree of tone or strengthof colour there may be on mountains by noticing them when their summitsare covered… … ft* jHE acquisition of the power of sketchingfrom nature, i.e. of producing correctand vigorous representations of naturalL scenes, is one of the great objects towhich the students attention is directed. Perfectionin such representations is unattainable; for, even sup-posing all others satisfied,…
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
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