The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 316
esence of the effect to be conveyed; hisfirst wash and his last glazing must each be applied in exact imitation ofthe actual landscape; and when, after laying aside his work from fatigue orother interruptions, he resumes his study, he will require that every minutiaeof atmospheric appearance,… … 2G0 LANDSCAPE-PAINTING. mingle those delicate variations of colour on the exact representation ofwhich his complete success depends; even as a slight movement of objectssubmitted to the photographic process suffices to destroy the truthfulnessof the picture. Frequent study from nature, attended…
Landscape painting · Watercolor painting
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