The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 32
ll the effects of nature:—we arerestricted by the very qualities of the substances we use. Passing on to the practical part of our subject, we will now describe themost important of these pigments, noting the circumstances and modesof application which enable us to use them most effectually in our… … E have already shown that the prismatic spectrum,described by Sir Isaac Newton, consists of seven colours.As these colours admit of no further separation or changeby means of refraction, they may each be considered asprimitive. But, notwithstanding this condition of thecolours of the spectrum,…
Landscape painting · Watercolor painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Pomona. By the author of “Laddie.” [i.e. Evelyn Whitaker.], etc (1894)](https://img.insideoutlibrary.com/img/200/bl-bl_002953102_0-334-1.webp)
