A treatise on the art of painting, in all its branches; accompanied by seventy engraved plates, and exemplified by remarks on the paintings of the best masters .. (1817)
Lairesse, Gérard de, 1640-1711, Craig, W. M. (William Marshall), ca. 1765-ca. 1834 · London, E. Orme · leaf 187
and stronglylighted; the visto behind, turned into a close ground, and the trees behind thestone-work, instead of greyish, more sensible, warm, and approaching; this stone,I say, would have the same effect as the boat, and come forward with force ; thoughwhite, we all know, is not so strong a… … Of Colouring. 1<53 *erjeant is not without his power; therefore, when strong-natured colours are notiu a picture, the weaker supply their places, in a greater or less degree, as the matterrequires; wherein lies the crisis of the management. Let me add to this instanceof (he white stone-work,…
Art · Painting · Composition (Art)
Internet Archive · Philadelphia Museum of Art · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Pars I. des berühmten italiänische[n] Ritters Caesaris Ripae, allerley Künsten und Wissenschafften dienlicher Sinnbildern und Gedancken : welchen jedesmahlen eine hierzu taugliche Historia oder Gleichnis beÿgefüget (1758)](https://img.insideoutlibrary.com/img/200/ia-parsidesberuhmte00ripa-306-152.webp)
