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A treatise on the art of painting, in all its branches; accompanied by seventy engraved plates, and exemplified by remarks on the paintings of the best masters .. (1817)

Lairesse, Gérard de, 1640-1711, Craig, W. M. (William Marshall), ca. 1765-ca. 1834 · London, E. Orme · leaf 190

An illustration from A treatise on the art of painting, in all its branches; accompanied by seventy engraved plates, and exemplified by remarks on the paintings of the best masters .., 1817, leaf 190
nt.«p.d has no other colour than that of the air between. The ground shade of a refl,«reen, or blue stretched curtain is also of the same colour. Those of a house orother heavy piece of stone-work are grey and dark, &c. But to return to oursubject. It is plain, that what is demonstrated in… … Of Colouring. 155 able, that if one of the lights were taken away, the composition and agreeable har-mony would he spoiled at once; even so much, as not to he brought right again with-out a general alteration ; for instance, suppose the walking person were dark above,how could he be set off by the…

Art · Painting · Composition (Art)

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