A treatise on the art of painting, in all its branches; accompanied by seventy engraved plates, and exemplified by remarks on the paintings of the best masters .. (1817)
Lairesse, Gérard de, 1640-1711, Craig, W. M. (William Marshall), ca. 1765-ca. 1834 · London, E. Orme · leaf 233
ften express almost imperceptible ones with the greatestforce, by vermilion, ultramarine, red orpiment, &c. we find such chiefly among theFlemings, as Jordaans, Rubens, and many others. We must take then particular care, not to represent any refections without shew-ing the reasons of them, and… … £. </e £a£refre inu Z. &rru</A<im, Ssu/p Of Lights and Shades. 177 rilitlv judge, what force or weakness they receive or give. In a word, that weneed not be obliged to aslc, Whence the reflection proceeds ? why it is red, yellow, orblue, so strong, so faint ? &c. chap. vi. THAT…
Art · Painting · Composition (Art)
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