A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (1837)
Burnet, John, 1784-1868 · London : James Carpenter · leaf 140
s of art, to which even theprotecting hairs contribute. We have here a picture complete in itself;but if we carry our examination to the surrounding lines in the orbit, weperceive an harmonious communication and extension of its form, lights,and darks, by which its harshness is softened and… … COMPOSITION IN PAINTING. 15 have the strongest point brought into the centre. In the original, TheEmbarkation of the Prince of Orange, the two principal figures aredressed in strong red, and strong black, and are the most cutting partof the group ; and, from their being brought into the centre and…
Painting
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