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A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (1837)

Burnet, John, 1784-1868 · London : James Carpenter · leaf 146

An illustration from A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools, 1837, leaf 146
ote circumstances, which become a part of the whole, from theprincipal group being made to depend upon such point for the completionof its form, the extension of the light, or the repetition of colour. Fig. 2. In designs constructed upon this plan (especially of the DutchSchool), we generally find… … COMPOSITION IN PAINTING. 17 objects in their proper situations as to distance from the eye. I wishparticularly to direct the students attention to this particular, as adoctrine, founded upon the rays of vision, has been attempted to beestablished, viz. that objects as they recede from the centre of…

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