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A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (1837)

Burnet, John, 1784-1868 · London : James Carpenter · leaf 162

An illustration from A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools, 1837, leaf 162
sion of the group into seven figures on each side,and no one, except Ananias and Sapphira, performs an action that isnot repeated. Thus simply has Raffaelle contrived not only to tell hisstory, but also those circumstances which preceded and followed it. Thisregularity will strike the student as… … COMPOSITION IN PAINTING. 25 As I shall have occasion to speak of the repetition of form, as being-no less essential towards the production of harmony than the repetition ofcolour, I may call the students attention to it in this place. In compo-sitions embracing many figures, a repetition of form…

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