A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (1837)
Burnet, John, 1784-1868 · London : James Carpenter · leaf 214
ding of thelight through the picture gradually became more enlarged; and even hisdeepest shadows are illuminated by streaks of red or rich brown runninginto theni^ which (from his principal light being of a warm tone) keep upa connexion without destroying the breadth of light and shade. In Fig. 1… … LIGHT AND SHADE IN PAINTING. 15 which, as in nature, reflects back the rays, and illuminates the surroundingobjects, giving- thus his principal light the properties of light itself. Theshadows of all objects receiving such direct rays, we sometimes seestrongly defined, as is the case in nature, and…
Painting
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