A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (1837)
Burnet, John, 1784-1868 · London : James Carpenter · leaf 234
on of the subject, before commencingany work, or while in the progress. He must not only know what is hisintention, but must be in possession of the best method of expressingsuch intention. Plate V. Fig. 1. When a shadow is carried through the middle of the picture, we havenot only an opportunity… … Zbilished Jidy J.J82ff. LIGHT AND SHADE IN PAINTING. 23 Plate V. Fig. 2, and 3. When the principal light is kept at one side, we have an opportunity ofintroducing a larger portion of shadow, than when the light is in thecentre, which is often of the first consequence, especially if repose…
Painting
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![An illustration from Picture Posies. Poems chiefly by living authors, and drawings by F. Walker, J. W. North, A. B. Boughton [and others] ... Engraved by Dalziel Brothers (1874)](https://img.insideoutlibrary.com/img/200/bl-bl_002911096_0-75-1.webp)
![An illustration from Picture Posies. Poems chiefly by living authors, and drawings by F. Walker, J. W. North, A. B. Boughton [and others] ... Engraved by Dalziel Brothers (1874)](https://img.insideoutlibrary.com/img/200/bl-bl_002911096_0-233-1.webp)
