A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (1837)
Burnet, John, 1784-1868 · London : James Carpenter · leaf 314
nd the nature of any ofthe works of art which he investigates ; what is to be learned from them,and how far such principles as they exhibit are founded upon truth, eitherwhen viewing nature upon broad general ideas, or when investigatingthe little intricacies of the detail in painting. PLATE III.… … ON COLOUR IN PAINTING. 25 critics) a red scarf, to relieve the figure from the sea, which is behindher. It is not for that reason alone, but for another of much greaterconsequence; for the sake of the general harmony and effect of thepicture. The figure of Ariadne is separated from the great group,…
Painting
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