A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (1837)
Burnet, John, 1784-1868 · London : James Carpenter · leaf 48
ts the receding of objects from their diminution, the doublingof the lines in producing richness of effect, and that harmony which arisesfrom one line counteracting another in its direction, giving thereby ageneral balance to the whole. The effect of aerial perspective upon theeye being mainly…
Painting
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