A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (1837)
Burnet, John, 1784-1868 · London : James Carpenter · leaf 80
to the depths of his composition. We also find it oftenemployed in giving solidity and firmness to those heads or objects nearestthe eye; one portion acting as a background to the other, giving to thewhole that advantage which arises from the size, detail, and firmness of EDUCATION OF THE EYE. 49… … In following up the examination of Composition into its componentparts, we find it necessary that they should all combine to produce oneresult upon the spectator. Raffaelle, in extending his composition intothe surrounding parts, employs his whole power in illustrating his story,either by episodes,…
Painting
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