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The typography of advertisements that pay : how to choose and combine type faces, engravings and all the other mechanical elements of modern advertisement construction (1917)

Farrar, Gilbert Powderly, 1886- · New York ; London : D. Appleton and company · leaf 293

An illustration from The typography of advertisements that pay : how to choose and combine type faces, engravings and all the other mechanical elements of modern advertisement construction, 1917, leaf 293
ained or stilted atmosphere. They must benatural and the freedom and ease of any naturaleffect is difficult to obtain. Some advertisers are using motion picturecameras to obtain natural^ photographs. Theyget the model, or machine, or package in front ofthe camera and have them act as natural as… … ADDING LIFE TO PACKAGE DISPLAY 275 In the old days most packages were drawn orphotographed ^straight fronf view. There wasvery little perspective to any and not much variety. The Ryzon Baking Powder package shows howmuch action and character can be given a pack-age in just the posing and…

Advertising · Typography · Typesetting

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