Phillipps, Evelyn March, d. 1915 · London : Macmillan and Co., limited · leaf 196
him, and yet all the time he hashimself in hand ; he allows us to divine as muchas he chooses, and draws a thin veil over all thathe does not intend us to discover. The painterhimself is impersonal and not over-sensitive ; hedoes not paint in his own fancies about his sitter—probably he had none ;… … ARIOSTO. [Photo, Mansell and Co.) London. CHAPTER XVIII TITIAN [continued) With the Assumption, finished in 1518 forthe Church of the Frari, Titian rose to thevery highest among Renaissance painters. The Glorious S. Mary was his theme, and heconcentrated all his efforts on the realisation ofthat…
Painting · Painters
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