Windows; a book about stained & painted glass (1897)
Day, Lewis Foreman, 1845-1910 · London, B. T. Batsford · leaf 310
ffecting a more Gothic form with pointedor cusped arch and so on, under which, or in front of which,the figures stood. It bore definite relation to the figures, andit was neither impossible of construction nor absurd in perspec-tive. Occasionally, in later work, as at the Certosa at Pavia,it was… … 178. S. Maria Novella, Florence. arches are one mosaic of jewellery, but that the canopythroughout was in colour. That is the most striking characteristic of Italian canopy-work, and indeed of other ornamental setting—that it is as richas the picture, a part of it, not a frame to it.…
Glass painting and staining
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