Viardot, Louis, 1800-1883 · New York, Scribner, Armstrong, and Company · leaf 153
Fig. 20.—Apoir.no. (Florence.) other reason than a certain resemblance to theVejius in style and execution. It has an advantageover the latter in being entirely antique. If theApollo Belvedere may be called the model of the 132 GliEClA S SL■ Uir TURK. sublime, the Apollino certainly deserves to be… … Fig. 21 —The Musical Faun. (Florence.) attitude, the free and supple action, the finelymoulded limbs, the pose of the head, with thealmost ironical smile and expression, all combineto make the Apollino the most graceful form which GiiEciAN scuL p run /■:. i ^3 ever arose before the creative…
Sculpture
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