Strong, Eugénie, 1860-1943 · New York, E. P. Dutton & company · leaf 154
e composition of the main groups betrays the weak side of this later Imperial art. The artist by placing all the personages in a full-face position tends to cancel the significance of the frontal figure in the centre, which on the Diocletianic congiarium, for instance, was heightened by the…
Art, Roman
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