Apotheosis and after life : three lectures on certain phases of art and religion in the Roman Empire (1915)
Strong, Eugénie, 1860-1943 · London : Constable · leaf 152
{R.R., i. 112-13). Thecomposition of the main groups betrays the weak sideof this later Imperial art. The artist by placing allthe personages in a full-face position tends to cancelthe significance of the frontal figure in the centre,which on the Diocletianic congiarium, for instance,was heightened…
Art, Roman
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