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The art of Florence, an interpretation (1918)
Powers, H. H. (Harry Huntington), 1859-1936 · New York, The Macmillan company · leaf 311
not greatly concern us. Such namessuggest the most arid themes in art, themes that, unlessembodied in some concrete situation or circumstance, arelittle more than intellectual concepts, themes for philosophyrather than for art. Raphael is the last man to take suchthemes seriously. But if their… … o.2 > c3!=l Cud CO o a* di=l © o o 0 05CO T—I o Raphael in Rome 293 an unusual space, in such a way that the space seemed madeto order, the only possible space that could accommodate linesand groupings whose beauty sufficiently explained theirexistence. The way in which the curves, longer and…Christian art and symbolism · Art -- Italy Florence History · Art, Italian -- History
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