ebastianos de-corative works in the Farnesina from1509, and the Dorothea from 1511 THE FOKNAEINA. 45 Now, he continued, taking my arm and directing mywhole attention again to the portrait of the Fornarina, theform of the hand here is nothing but the transition fromGiorgione to Eaphael; it is an… … TWO FIGURES FROM THE CEILING OF THE SISTINE CHAPEL. 11 am not competent, I remarked, to give an opinionon such a knotty point, but all your reasons for combatingthe views of those who ascribe the portrait to Eaphael havenot yet succeeded in effacing my first impression. At this confession the…
Painters · Painting, Italian
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