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How to appreciate prints (1922)

Weitenkampf, Frank, 1866-1962 · New York : C. Scribner's Sons · leaf 54

An illustration from How to appreciate prints, 1922, leaf 54
nd LArt, which, like the Portfolioin England, published many plates, thus popularizingthe art and encouraging those who practiced it. Asa result, the etching needle was not only wielded bypainters who turned to it casually, but by a class ofartists who devoted themselves to it almost exclu-sively.… … MOTHER AND BABY.Dry-point by Mary Cassatt. ETCHING 33 in the true spirit of the etcher. Millet, in twentyplates or so, made simple, bold, sympathetic use ofthe medium, producing work that is delightfully char-acteristic in intent, execution and feeling. Bracquernond, notwithstanding his other…

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