The new art; a study of the principles of non-representational art and their application in the work of Lawrence Atkinson (1922)
Shipp, Horace, 1891- · London, C. Palmer · leaf 66
subject was the truthfulrather than the beautiful. A logical reaction against the sentimentality which had longheld art in thrall, this emancipation in subject matter wasaccompanied by the incoming of truth in manner. The painterpainted ; his brushmarks were left on the canvas as the… … The Problem of Technique 37 opened the doors of their studios, as it were, and the humanismof the activity of creation was added to our joy in art. With this change of manner certain critics have become tooenamoured, making of it the main difference between the newschools and the old. Under their…
Atkinson, Lawrence · Art, Modern
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