The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 161
hird with the two great mastersill Rome, it is Sebastiano. He gives us the impression of a peisonalitydestined for the liighest ae]iie\-ements, who had ne\er completely developed ;who never produced what he might htxve done i\ith his talents. Helacked the sacred enthusiasm for work. In this he «as… … \int;igc. From tli3 ciigraviuy Ijy .Mare Aiituniu V FRA BARTOLO^NHIEO 1475—1517 L\ Fi-a Bartoloinnieo the High Hcnaissancc has its type of the monasticpainter. The gixat experience of his youth liail been tlie preaching of Savonarolaand the spectacle of his death. After that he retired to a…
Art · Art, Renaissance
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