The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 221
s of small account. A spectator in a gal-lery «here the Cinque-centists hang side bv side,is struck tirst hx the nar-row range of material.Cincpiecentist art depictsnothmg butliuman forms,init^-htv ~IoriTTs^ that fillthe whole _picture, andsecondary incidents arerigorously excluded. ^Miat is true… … Lai^tlMii lA Llirist, )iy \ulTuCLlliu. 1 The ( HUjuecento set^ out with a tt)tall\- ne\\- conception of hunjaa-gTe£r^i4;s^in(l dignityT All_jnoyement bec()nies nit)re_jem^ati^andeinotit)JLik!^<\fi-gp^i antLaioi:e-.tftaiii*Jj.iate breath. A general exaltationof human nature is noticealjle. :Men…
Art · Art, Renaissance
Internet Archive · Cornell University Library · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Illustrated catalogue of a highly important collection of ancient paintings of the Italian, Dutch, Spanish, Flemish and French schools, including an imposing gathering of Italian and Flemish primitives [electronic resource] : to be sold at unrestricted public sale by direction of the F. Kleinberger Galleries, for the purpose of adjusting the business interests of their former partnership and the present incorporation, in the grand ballroom of the Plaza Hotel, Fifth Avenue, 58th to 59th Street, on the evening herein stated (1918)](https://img.insideoutlibrary.com/img/200/ia-liu-31289009872740-113-45.webp)
