The art of the Italian renaissance; a handbook for students and travellers (1903)
Wölfflin, Heinrich, 1864-1945, Armstrong, Walter, Sir, 1850-1918 · New York, G. P. Putnam's sons; London, W. Heinemann · leaf 249
he breast inprayer, for instance, became a char-acteristic moti\e of the new centurv. \cuus, iij- Lorcnzu cii ciedi. It sccms as if all at once a new race of beings had sprung up inFlorence. Rome had always possessed the full massive forms which hadbecome the artists ideal, but they may have been… … THE NEW BEAUTY ■J. I cNcr sciii (IN lluisc Aiidi-ca del S.iiio slious soiiicw li.il later in liis Ilorcn- linc \Minirii. Ilic laslc of Iju r.ulv luiiaissaiH-c inclined lo nnde\ eKiued lornis, and slim, a^^ile (ii;nies. V\\r ani;iiiar i;raee and I lie salienl onl- hnes ol \()iilli had a i^ieater…
Art · Art, Renaissance
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