A history of painting in north Italy : Venice, Padua, Vicenza, Verona, Ferrara, Milan, Friuli, Brescia, from the fourteenth to the sixteenth century : drawn up from fresh materials after recent researches in the archives of Italy, and from personal inspection of the works of art scattered throughout Europe (1871)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London : J. Murray · leaf 260
t the spectator, and afigure next to him, are all new.(See the engraving in Zanotto,Pinac. dell Accad. Venez. Fasc.XXVIII.) But Mansueti is also the authorof a second canvas in San Gio-vanni, now under the name ofLazzaro, representing, accordingto some accounts, Antonio Ricciocongratulated by his… … Chap. IX. MANSUETI. 221 of San Marco, where he painted Sl Mark curing Anianusthe cobbler, he draws the latter seated with the shoestrapped down to his knee, and showing a handwounded by the awl; Sl Mark restores him with ablessing, but the people who fill the market-place ofAlexandria, where the…
Painting, Italian · Painting, Renaissance
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