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Paintings of the Louvre, Italian and Spanish (1905)

Mahler, Arthur, 1871-, Blacker, Carlos, Slater, William Albert, 1857-1919 · New York, Doubleday, Page · leaf 36

An illustration from Paintings of the Louvre, Italian and Spanish, 1905, leaf 36
he colour and touch are less delicate than thoseof Giotto, his influence is still very perceptible. CIMABUE TO FRA ANGELICO 1 I As the subjects treated became more complicated, tech-nique was necessarily more and more developed; and, withtechnique, came the decorative element. This commencedwith… … E. H.-ititcLcur. i int. 1301. The AnrmnrUtfidti. — Ajnolo Gaddi. is neither standing nor seated; the action of the otherfigures is stereotyped, and the expression of the faces isaffected. We see this tendency to affectation and manner-ism in The Virgin and Child (No. 1316), evidently awork by…

Musée du Louvre. Département des peintures, des dessins et de la chalcographie · Painting -- Italy History · Painting -- Spain History

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