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Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)

Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 178

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics, 1909, leaf 178
metimes, too, as between the calfand the knee, the thigh and the waist, the forearmand the elbow, and the upper arm and the shoulder,there is a distinct likeness in the method characterizingall the changes in curvature. In fact, the whole outercontour of the leg from ankle to knee seems to be… … FIQ. 73.—MANS FORM ENCLOSED BETWEEN CIRCLES.See pages 15, 59, 72, 87, 135, 137, 138, 290, 291, 295. Now, taking a more comprehensive view, we shall findthat the form of both a man and a woman, as seen eitherfrom the front or the side, fits into a shape which may betermed elliptical because…

Aesthetics

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