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Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)

Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 372

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics, 1909, leaf 372
310,a lens bounded by cylindrical surfaces is introduced. SeeFig. 125, page 330, and C in Fig. 126. This lens is soconstructed that it reunites the prismatic bundle of raysinto a single band, /. e., it restores these rays to thesame condition in which they were before they reachedthe prism from the… … FIG. 126.—FORMATION OF COMPLEMENTARY COLORS.See page 331. in addition to the others just noticed, that all the colorstogether make white. If now between the cylindrical lensand the wall a part of the light be shut off by means of ascreen, a colored image instantly appears upon the wall.If, for…

Aesthetics

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