Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 78
FIG. 10.—TEMPLE OF THESEUS, ATHENS. See pages 40, 44, 116, 156, 163, 164, 168, 170, 175, 188, 189, 193, 196, 201, 210, 211, 218, 219, 220, 221, 224, 252. .straightness, parallelism, and other effects, which, in addi-tion to those of proportion, were deemed desirable. As PROPORTION AND PERSPECTIVE.… … FIQ. 11. -ST. STEPHENS, CAEN, NORMANDY. See pages 42, 44, 154, 163, 166, 170. 175, 226.ments of proportion are supposed to be involved in im-penetrable mystery, and why, therefore, the neglect of them 38 PROPORTION AND HARMONY. in our own day is supposed to be excusable, is traceableto this…
Aesthetics
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