Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 99
or ideal standard of comparisonmerely as a matter of convenience. It is comparativelyeasy to recognize whether or not straight lines, such asform its sides, are of the same lengths, or are the same 58 PROPORTION AND HARMONY. distances apart, or have, in other regards, other measure-ments that are… … FIQ. 32.—LINES AND CURVES INDICATING PROPORTIONS OF A FORM TAKENFROM PUTNAMS HANDBOOK.See pages 15, 58, 59, 69, 85, 87, iiS, 120, 130, 131, 135, 137, 290, 295. zontal lines, such as may be seen in Fig. 31, page 57,and Fig 32 ; and these lines are undoubtedly an aid indetermining the proportions.…
Aesthetics
Internet Archive · Princeton University Library · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Champ fleury : au quel est contenu lart & science de la deue & vraye proportio[n] des lettres attiques, quo[n] dit autreme[n]t lettres antiques, & vulgairement lettres romaines proportionnes selon le corps & visage humain ... (1529)](https://img.insideoutlibrary.com/img/200/ia-champfleuryauque00tory-54-30.webp)
