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Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 273

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics, 1899, leaf 273
vOcr> 6* cn CT> LU CI L) C4 D h r^ Z -t < co 2 • 73 Z 0) n t/J c3 UJ P. o <D z (1) < c/: 236 PROPORTION AND HARMONY. way—the direction of lines that appear to him to be hori-zontal. Evidently, in the degree in which he gazes up-ward, each of these lines above him will describe… … FIQ. 103.—GREEK TEMPLE INSCRIBED IN CIRCLES REPRESENTING HORIZON LINES.See pages 234, 237, 239, 251, 255, 257, 258. of the two steeples are on a level. A line drawn from oneto the other is that which represents the horizontal; butnotice, if actually drawn between them, what a sharp curveit would…

Aesthetics · Proportion (Art) · Color

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