Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 90
the higher seats. Notice again, sustaining a gen-eral ratio of about 3 : 1 to the measurement just mentioned,like measurements of height in that which is between thelower edge of the ornamentation in front of the higherseats and the floor of the cathedral; also between theupper edge of this… … CIIT) s. <V to 54 PROPORTION AND HARMONY. the mouldings over the lower large arch; also—but onlyapproximately—between the upper edge of these mould-ings and the capital of the column from which the middlelarge arch springs ; also between this last and the loweredge of the mouldings above the…
Aesthetics · Proportion (Art) · Color
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