The study and criticism of Italian art. Second series (1920)
Berenson, Bernard, 1865-1959 · London, Bell · leaf 78
ongs, so to speak, to an entirelydifferent sphere. Well! the Madonna of the Du-chatel collection is majestic, hieratically majestic,but she is very refined, very delicate : she is neithermassive nor monumental. Pieros Madonnas havea fixed and severe physiognomy, massive structureand immobile pose.… … ,-J linari photo. [Ufiizi, Florence. THE ANNUNCIATION ALESSIO BALDOVINETTI 35 fleeting emotion. The expression of his almostalways imposing figures is the expression of theentire character, or, at most, of the whole action re-presented. Never a smile, never a touch of tender-ness. How different…
Art, Italian · Painting, Italian
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