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The study and criticism of Italian art (1902)

Berenson, Bernard, 1865-1959 · London, G. Bell and sons · leaf 166

An illustration from The study and criticism of Italian art, 1902, leaf 166
in the Raising of Tabitha alone. He resemblesthe Eternal in the Munich panel. Slightly different,you find him again and again at Castiglione, now asHerod, then as an Evangelist, and again as theBaptist. Thus Empoli can rejoice in two works by Maso-lino, not the most considerable, but one the… … \,Baptistcry, Emboli, A PI ETA PAINTINGS BY MASOLINO 89 on the right as you enter the chapel to the right of thechoir, there is the fragment of a fresco representinga deacon. In the Franciscan church there is afrescoed St. Christopher. Both are in a miserablestate of ruin ; but originally they…

Art, Italian · Painting, Italian

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