A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (1837)
Burnet, John, 1784-1868 · London : James Carpenter · leaf 200
yupon a wall, it will explain to us one of its principal properties, uponwhich many Artists have founded their principles of light and shade.Where the bundles of rays are collected, the light is increased in bright-ness ; and when they become more diffused and spread out, it naturallybecomes more… … Ziwrfon Fu/i/ir/ud July J. 7826 LIGHT AND SHADE IN PAINTING. 5 collecting of the rays, leaves that portion of the ground the darkestwhich comes in contact with it, thereby assisting its brightness. Wehave an innumerable variety of gradations, until the light is dissipatedand lost. Some Artists…
Painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
