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A treatise on painting : In four parts ... The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools (1837)

Burnet, John, 1784-1868 · London : James Carpenter · leaf 228

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LIGHT AND SHADE IN PAINTING. 21 cool when near the face. To give the flesh a luminous character, he oftenintroduces cool tints coining near it, and, when he can find nothing else,uses the shadows of linen for such purpose. In Vandycks early Italianmanner we find the linen much brighter than in his…

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