Windows; a book about stained & painted glass (1897)
Day, Lewis Foreman, 1845-1910 · London, B. T. Batsford · leaf 92
, lifeless, colourless. The points to note are : (i) that thispainted shadow must of necessity be dull; and (2) that on workof this scale at all events (the figures here are very much overlifesize), this abandonment of the mosaic method was not in theslightest degree called for. On the contrary,… … 41. RENAISSANCE WINDOW, S. GUDULE, BRUSSELS. SHADOWS GLAZED IN POT-METAL. 72 For example, at Liege, where there are beautiful windows ofabout the same period, very similar in design, the glass is alto-gether lighter and more brilliant, partly owing to the use of paintwith a much lighter hand, but…
Glass painting and staining
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