The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 129
nd that dispositionof light and shade more generally known as chiaroscuro ; this generalarrangement or selection being regarded as something depending on taste, and impossible to be ac-quired from another. Butthis is evidently a mis-taken idea; for whateverhas been learned by care-ful study from… … Fig. 11. comparison to the glorious reality. — LIGHT AND SHADE, OR CHIAROSCURO. 99 care those circumstances and effects best adapted to charm the eye. Onceunderstood, they will become firm data on which to found our system ofart. Great difficulty is experienced by some students in comprehendingthe…
Landscape painting · Watercolor painting
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