Handbook of light and shade, with especial reference to model drawing (1880)
Merrifield, Mary P. (Mary Philadelphia), 1804 or 1805-1889 · London : George Rowney & Co. · leaf 48
ge on the other side is not so dark asthe extreme dark. The reason for both is the same :the outer edges of these planes are not only furtherremoved from the eye of the spectator, but they receivethe light obliquely, and therefore they are neither sobright nor so dark as the nearer edges. The same… … LIGHT AND SHADE. 31 the extreme dark in both are situated at a small dis-tance from the edge on each side. The place of the ex-treme light and extreme dark varies according to thelight under which the figure is viewed. When the light enters on the left hand, so that theshadow is parallel with the…
Shades and shadows in art · Drawing
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
