Inside Out Library

Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)

Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 94

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics, 1909, leaf 94
the higher seats. Notice again, sustaining a gen-eral ratio of about 3 : i to the measurement just mentioned,like measurements of height in that which is between thelower edge of the ornamentation in front of the higherseats and the floor of the cathedral; also between theupper edge of this… … < OJ ui tjo z (^ O D U C/2 54 PROPORTION AND HARMONY. the mouldings over the lower large arch; also—but onlyapproximately—between the upper edge of these mould-ings and the capital of the column from which the middlelarge arch springs; also between this last and the loweredge of the mouldings…

Aesthetics

Internet Archive · Princeton University Library · Public Domain Mark 1.0. Free to use for anything.

More pictures from Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics

More like this