The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 137
e other, may be repeated on the side opposed to the largestmass. The Author trusts that the above brief notice of chiaroscuro, or light andshade, may enable the student to comprehend, at least, its leading prin-ciples. These are of such vast importance to his ultimate success, thattime spent upon… … PLATE 6 THE HANDLING OP THE BRUSH. 1 13 SECTION III.—THE HANDLING OF THE BRUSH, AND MODE OF WORKING.
Landscape painting · Watercolor painting
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